Art and autoradiography: Insights into the genesis of by Metropolitan Museum of Art, Maryan Wynn Ainsworth

By Metropolitan Museum of Art, Maryan Wynn Ainsworth

Result of a systematic research of the substructure of thirty-nine work within the Metropolitan Museum's collections.

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Extra resources for Art and autoradiography: Insights into the genesis of paintings by Rembrandt, Van Dyck, and Vermeer

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9. Real Armería, cat. 290, pp. 94-97; Reitzenstein 1971. 10. La Relación de Valladolid fue publicada en 1951 por Francis Cripps-Day. Para estas vicisitudes y su posterior traslado e instalación en Madrid, véase Soler 1998. 11. Soler 2003. 12. Para las armaduras japonesas, véase Soler 2003. 88, hecha con plumas de colibrí. En ella se representan las principales victorias de la monarquía española sobre el Islam. Véase Valencia de Don Juan 1898, pp. 161-163. 13. Para este regalo véase Lavin y Ameller 1989.

88, hecha con plumas de colibrí. En ella se representan las principales victorias de la monarquía española sobre el Islam. Véase Valencia de Don Juan 1898, pp. 161-163. 13. Para este regalo véase Lavin y Ameller 1989. 1. Brussels, Musées Royaux des Beaux-Arts de Belgique, inv. 2405 2. For the vicissitudes suffered by his armory, see Terjanian 2006. 3. Defense of the Faith was one of the chief courses of action of the Spanish monarchy from the Middle Ages. 12). 4. Real Armería, cat. 114. See Pyhrr and Godoy 1998, no.

Armarios 11-17: aarmería de Felipe II the royal armory in the context of spanish history from the fifteenth to the seventeenth century 39 de murió el 21 de septiembre de 1558. La renuncia al gobierno the government of Spain and the Indies to his son Philip II. imperial no fue sin embargo aceptada por los príncipes elec- The emperor returned to Spain and in February 1557 went tores hasta meses antes de su muerte en febrero de 1558. En into retreat at the monastery of Yuste, in what is now the estas circunstancias los centros productores alemanes dejaron province of Cáceres, where he died on 21 September 1558.

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